A Gwen John

Well, her work’s not to my taste anyway, dreary muddy stuff. But let’s assume Nigel and Elizabeth correctly predicted what Lily’s taste would be. (And had the money to indulge themselves, about which I have heard That Fish fulminating.)

What can you do with a painting?

  • Sell it, which is a hassle, and may get you a pot of money, but so would a pot of money.
  • Put it up in the family home to be looked at by the family, in which case it’s not really a gift for you is it?
  • Take it with you when you move out, and put it up somewhere unsuitable, because very few places have somewhere suitable.
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Sell !! Sell !!

Unless you have a view that it will considerably increase in value* then flog it. Of course, when Freddie offers someone his ring … what ? what ??? :astonished::drooling_face: … he’ll get dog’s abuse.

  • Artwork may decrease, as well as increase, in value and has no intrinsic value.
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In the case of a Gwen John painting, put it in the back of a cupboard under cloth and wait for it to appreciate in value.

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Ooh, look at my painting of a depressed, drearily dressed woman. Doesn’t it lift your heart on a rainy Monday morning!

I have no wall available for a painting like that.

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[quote=“Marjorie, post:4, topic:826”]
I have no wall available for a painting like that.
[/quote]I’m thinking … covering up the damp patch in the outside netty.

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Well I would give it wallroom. On that rainy Monday morning of which you speak, I could glance at my valuable asset and say to myself ‘Chr*st! she looks worse than I do’. Which I would consider a result, on the whole.

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I find it hard to visualise the mind which would cause its owner to say, in awe-stricken tones, “It’s beautiful!” about a Gwen John. Skilful, perhaps; evocative, maybe; but beautiful? They are universally drab.

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But then, this is Lily. She would consider Dostoevsky frivolous.

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I like this one:

Interior with Woman Sewing at Window and Cat

I know what you’re all going to say, it’s the cat that makes it! Actually I really like the light coming through the window.

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She looks like Vera from the Giles cartoon, very sniffy (as in coldy) and put upon.

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People have said the same about Helen; is that her in Miss Havisham mode?

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My problem with that picture (which I admit has more colour than she usually allows herself) is the same as I have with several preraphaelite ones: the drawing is subtly out of whack.